On Postmodernism

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Socialism's Last Bastion

by Gary Jason

Gary Jason is a professor of philosophy at Cal State University Fullerton.

Over the last 20 years or so the philosophic orientation known as "postmodernism" (or "po-mo," to the cognoscenti) has become the dominant mindset in many humanities departments in American universities, especially in English departments. To the extent that professors in, say, science and engineering departments have heard of postmodernism, it seems mystifying. They see colleagues in humanities departments delivering papers filled with incomprehensible prose, making outrŽ claims (such as that there is no correct interpretation of any text), and offering bizarre courses (such as the history of comic books). Stephen Hicks, a professor of philosophy at Rockford College, has produced a clearly written, concise book explaining just what postmodern philosophy is and how it arose, and he has done so in an admirable way.

Hicks begins by sketching out in broad terms what modernism is. Modernism is the worldview produced by the Enlightenment over the last four centuries. Roughly characterized, modernism involves naturalism in metaphysics, with the confidence that modern science is capable of, and is actually succeeding in, giving us an understanding of the physical universe. Modernism involves what he calls objectivism in epistemology, meaning the view that experience and reason are capable of gaining real knowledge, although modernist philosophers have hotly contested the specifics of this (with Rationalism, Empiricism, and Pragmatism being the most historically active epistemological schools). Modernism involves individualism in ethics, and a commitment to human rights, religious toleration, and democracy in political theory. Modernism also involves the acceptance of free-market economics and the technological revolution that it has spawned. In sum, modernism is the mindset that is common to the West, the laborious product of many great minds — Bacon, Locke, Descartes, Smith, Hobbes, Spinoza, Galileo, Newton, and Hume, among others. Most of us view this as a considerable leap forward from the Medieval period of supernaturalism, mysticism, excessive reliance on faith, and feudalist political and economic systems.

In the last 30 years or so, however, a group of thinkers have set themselves in opposition to the whole Enlightenment project. These soi-disant postmodernists reject the Enlightenment root and branch. Chief among the postmodern thinkers are Jacques Derrida, Michel Foucault, Jean-Francois Lyotard and (amazingly, an American) Richard Rorty. These thinkers, together with a host of smaller fry (such as Stanley Fish, Jacques Lacan, Andreas Huyssen, Frank Lentricchia and others), have developed a large following in the humanities — especially literature, less so in philosophy — and in the social sciences. They have developed virtually no following in science, math, computer science, and engineering for reasons that will become clear below. The postmodern mindset views the whole Enlightenment project as a failure. The po-mo view is metaphysically anti-realist and anti-naturalist, holding that the physical universe is not ultimately describable in final terms. It is socially subjectivist in epistemology, holding that the "world" is what we socially construct, and each "group" (racial, gender, linguistic, ethnic, national or what have you) constructs the world according to its group identity. Postmodernists are egalitarian and collectivist in matters ethical and political. (If there are any postmodern libertarians or conservatives, I have yet to hear of them.)

Postmodernism has had a powerful impact on a number of areas of academic study. In literary theory, it has rejected the notion that literary texts have objective meanings open to better or worse interpretation, in favor of the notion that the text is simply a vehicle for the critic to exercise wordplay upon, or to deconstruct and thus expose the racial, class, or gender biases of the author. In law, postmodernists known as Critical Legal Theorists reject the notion of universally valid legal principles and objective legal reasoning, essentially viewing legal reasoning as subjective plumping for one's race, class, gender, or political preferences. In education theory, postmodernism junks the notion that education should develop a child's cognitive abilities and impart factual knowledge to enable her to function as a productive member of our free-market democracy. Instead, the postmodernist believes education should mold a student's racial, class, and gender identity. Postmodernists try to focus on the achievements of women, non-whites, and the poor, exposing the history of American democracy as a history of oppression, and denying the existence of any objective scientific method. For this reason, natural scientists and engineers find postmodernism silly — try convincing engineers who have successfully sent a robotic probe to the surface of Mars that objectively true scientific laws don't exist. Also, most modern philosophers, who since Descartes have concentrated on epistemology, have tended to view natural science as the most successful knowledge-generating human enterprise, and thus are not inclined to dismiss it lightly.

In short, postmodernism is relativism run riot, skepticism on stilts. In terms of the culture wars, it informs the arguments of those who think that American society is inferior to others and on the decline, that there are no "Great Books" of a higher order of merit than others, that science and technology are socially constructed and are not making genuine progress, and that modern free-market economics has lowered living standards. As Hicks notes, there is a contradictory tone to all this — all cultures are equal, but ours stinks; all truth is relative, except the unquestionable po-mo truth; no race, class or gender is superior, but middle class white males are clearly inferior; and no books are superior, except, of course, those by third-world authors. Where does this farrago of resentment come from?

Hicks rightly views postmodernist philosophy as the most recent manifestation of the reaction against the Enlightenment, what we might call the Counter-Enlightenment. The Counter-Enlightenment in Hicks' view goes back at least to the work of Kant and Rousseau in the 18th century. The epistemological and metaphysical side of the Counter-Enlightenment Hicks traces back to Kant. Kant, Hicks claims, should not be considered an Enlightenment advocate of reason, for he held that we can know only the phenomenal realm, i.e., the realm of what we directly experience via the senses, while the noumenal realm — the "world-in-itself" — is beyond our knowledge. The mind has built-in organizing features (causality, temporality, and so on) which it imposes upon the raw input of the senses to construct the world of experience. Kant begot Hegel, who sought to fuse the phenomenal and the noumenal realms — viewing reality as being ultimately all mental or spiritual (metaphysical idealism). Hegel's ideas certainly informed Marx's philosophy, contributing to the rise of collectivism. But Kant also begot the strain of irrationalist philosophers, most importantly Schleier-macher, Schopenhauer, Nietzsche, and Kierkegaard. This strand of thought attempts to get around the Kantian problem of reason's inability to apprehend the noumenal world directly by thinking that intuition or other non-rational approaches (leaps of faith or super-human acts of will) will bridge the gap.

Hicks focuses upon two strands of 20th century metaphysics and epistemology as direct precursors of postmodernism. He discusses Heidegger in some detail, appropriately, given that Derrida and Foucault describe themselves as followers of Heidegger. Heidegger grounded his philosophy in phenomenology, the close examination of the given field of immediate experience. He came to the view that logic and reason are impotent in answering ultimate metaphysical questions, leaving dark emotions such as boredom, guilt, and dread as the only tools, and reaching a metaphysical nihilism in which pure Being and pure Nothing are one and the same. Heidegger thus provides the postmodernists with some of their core beliefs: that reason and logic are subjective and metaphysically sterile; that words and concepts are obstacles to be destroyed or unmasked; that feelings are a more reliable tool than logic and scientific method; and that the Western philosophic tradition (based upon the law of non-contradiction and the subject-object distinction) is something that needs to be overcome. As Hicks notes:

"The postmodernists will effect a compromise between Heidegger and Nietzsche. Common to Heidegger and Nietzsche epistemologically is a contemptuous rejection of reason. Metaphysically, though, the postmodernists will drop the remnants of Heidegger's metaphysical quest for Being, and put Nietzschean power struggles at the core of our being. And especially in the cases of Foucault and Derrida, most major postmodernists will abandon Nietzsche's sense of the exalted potential of man and embrace Heidegger's anti-humanism." (p. 67)

The question arises, then, how can a philosophic trend so rooted (or mired) in the Continental tradition of Kant, Hegel, Marx, Nietzsche, and Heidegger come to be so attractive to the American academy — indeed, apparently now more the stronghold of postmodernism than Europe, its birthplace — given the Anglo-American tradition of Enlightenment empiricism? Hicks rightly puts the focus on the collapse of the logical empiricist project. Hicks briefly surveys the rise of logical empiricism from its early sources in the advances in modern logic by Frege and Russell, and the work of the Vienna Circle, to its demise at the hands of Hanson, Feyerabend, Quine, and Kuhn. The logical positivists had attempted to rigorously analyze scientific method and the structure of knowledge using the tools provided by modern symbolic logic, but their program was demolished in the 1950s and 1960s. This left a vacuum which attracted skepticism. That vacuum, together with the work of Kuhn and Quine — which gave perspectivalism a rebirth in an analytic context — provided the soil for anti-Enlightenment epistemology to flourish.

Turning from metaphysics and epistemology to politics, Hicks notes that postmodernists aren't just skeptics who vary in their political beliefs. No, postmodernists are all committed leftists. The fact that postmodernists are uniformly drawn to collectivism is even more puzzling, given that socialists have traditionally, a la Marx, argued that socialism is scientific, while postmodernists view science with contempt, and worship subjectivity and irrationality. Hicks explains this in detail over several chapters by exploring an external factor, namely, the collapse of socialism in theory and practice. Postmodernism is a fusion between Leftist politics and skepticism. But the dream of socialism died in the latter half of the 20th century. Socialism was tried in a variety of forms, from Leninism to National Socialism to Maoism and so on, with the clear result that, far from being superior to capitalism, it is completely inferior. Socialism promised to free workers from capitalist bondage, but it chained them to the means of production they purportedly owned. It promised to outproduce capitalism, but the prosperity achieved by capitalist economies totally eclipsed the poverty wrought by socialism. Socialism promised to usher in an era of peace and humane values, but it delivered decades of police states and gulags. Free-market democracy, i.e., classical liberalism, won decisively in the developed world, and is rapidly transforming the rest of the planet as well.

The failure of socialism, both empirically and theoretically (once Mises demolished socialist theory with his publication of "Socialism" in 1920), brought about a crisis of faith among socialists, and postmodernism is their response. Hicks puts it well:

"Postmodernism is born of the marriage of Left politics and skeptical epistemology. As socialist political thought was reaching a crisis in the 1950s, academic epistemology had, in Europe, come to take seriously Nietzsche and Heidegger and, in the Anglo-American world, it had seen the decline of Logical Positivism into Quine and Kuhn. The dominance of subjectivist and relativist epistemologies in academic philosophy thus provided the academic Left with a new tactic. Confronted by harsh evidence and ruthless logic, the far Left had a reply: That is only logic and evidence; logic and evidence are subjective; you cannot really prove anything; feelings are deeper than logic; and our feelings say socialism. . . . Postmodernism is a response to the crisis in faith of the academic far Left. Its epistemology justifies the leap of faith necessary to continue believing in socialism, and the same epistemology justifies using language not as a vehicle for seeking truth but as a rhetorical weapon in the continuing battle against capitalism." (90)

I have a few slight quibbles with Hicks' book. First, he has a tendency to blur the distinction between a skeptic, accurately so called, and a failed anti-skeptic. The difference is important in historical exegesis. Descartes tried mightily to devise a theory of knowledge that would do justice to the rapidly rising scientific revolution of his time — a revolution to which he himself was a tremendous contributor. But his program — pure Rationalism, at least as it's coquettishly flaunted in the "Meditations" — clearly failed. Locke, following Bacon and Hobbes, tried to devise an Empiricist epistemology that would do justice to the scientific revolution — an epistemology that ultimately failed to refute skepticism, as Hume so deftly demonstrated. Locke and Descartes failed to refute the skeptic — but not for lack of sincere effort. It is with this understanding that we need to look at Kant. Kant was no anti-objectivist crypto-skeptic. He truly was challenged by Hume's devastating skepticism (which roused him from his dogmatic slumbers, as he put it). His epistemology was a brilliant attempt to answer Humean skepticism. That later philosophers, most notoriously Nietzsche, used it to devise a perspectivalist skepticism shouldn't lead one to think that Kant would have been at all sympathetic to it.

Second, Hicks might have looked a bit more at the pragmatic tradition. This epistemology reached its apogee in the work of C. S. Peirce, who called himself a pragmaticist to distinguish his thought from people such as James and Dewey.

Pragmaticism is a very novel and reasonable stab at combating skepticism, with a more realistic approach to scientific enterprise. Unlike Rationalism, Empiricism, and even Kantian Perspectivalism, Peirce (a prolific polymath who actually did scientific research) gave up the idea of founding knowledge on certainty. Instead, he noted that knowledge, while real, is inherently fallible. Pragmatism of Peirce's sort is absolutely unsympathetic to the po-mo pragmatism of Rorty.

Third, Hicks leaves things hanging, epistemologically speaking. Yeah, okay, the cheap, trendy collectivist skepticism of postmodernism is silly, in the face of the continuing global advance of scientific knowledge, new technology, free-market economics, and political democracy. But does anyone yet have an adequate account of the nature of knowledge and scientific method that Hicks can recommend?

But I ought not wax churlish. Hicks has written a lucid and readable book explaining an influential, albeit puzzling, intellectual phenomenon. He has a balanced internalist and externalist approach, discussing the narrow evolution of ideas within philosophy and the wider influence of political and economic trends on the evolution of those ideas. His book deserves a wide audience.

© Copyright 2005, Liberty Foundation

we're in a post-post-modern culture now, though.

That's exactly my point!

Exactly!

Postmodernism is more dead than Tupac Shakur... and it's also as outdated as Tupac Shakur...

The concept of postmodernism is so vague as to be pretty meaningless...

Like the Matrix sequels! Were they about postmodernism? Or are they just aimless babble?

It could be argued that aimless babble IS postmodernism...

Post modernism is both confusing and bizzare. It seems to be the exact opposite of what many people like us crave, order and predictability.

that's surrealism.

I just wanted to weigh in as someone who holds both libertarian and postmodern beliefs as well as being a very logic-oriented and scientific-minded person (since the author seems to doubt my existence). I'm not about to claim that any of these perspectives hold absolute truth, though. I don't think we, as only part of a universe, could possibly understand it in full, let alone put it into objective and unambiguous terms. One of the things I like about postmodernism was my belief (that postmodernism can't reject - hah!) that it gained truth by invalidating itself. It brings about a sort of clarity through obfuscation in a Zen Buddhism sort of manner. So, for whatever that's worth...

One should remember that Chomsky is a leftist and a rabid anti-postmodernist. Also that many on the right wing have adopted postmodernism (if defined as embracing subjectivity ), faith etc.

KILL THE WITCH THREAD NECROMANCER BEFORE HE GAINS DISCIPLES!
QUICK!

Nine years old and this thread gets necroed!

Who are the bigger a***holes... the necroers or the moderators or Alex?


I've said this before!

When is a decision going to made about this?
It's simple!
Lock posts 12 months old!

Why? Do ideas die from old age, like people? Nope, the earth will still go around the sun even after we are gone. There is no reason to stop free inquiry.
Really, give a reason and don't simply chant a mantra.
I think that this is an example of video mentality. If something isnt new its worthless. Forget Shakespeare, Plato, Kant and lets watch Brittany Spears latest video!
Knowledge is entertainment. However, the idea that only new knowledge is entertainment is silly and immature.

OK
You have no reason and think that mindlessly chanting a mantra is an argument.
Fortunately, many like free inquirey and are not dogmatic.

So according to you, we cannot discuss postmodernism anymore? Or are you saying that one cannot reference previous information? Or are you saying I should have started a new thread called "on postmodernism " and then give a link? That is silly.

Eh?I have a love-hate relationship with postmodernism. Love the art and music. Hate the literary criticism.

As an answer to objective science and empiricism? Well?

To that I say this: Postmodernism was, and is, a response or reaction to modernism. If enlightenment values are to continue to be forward-looking in scope, then postmodern relativism is inevitable. In order to keep a consistent, coherent liberal attitude towards and within the sciences, you HAVE to allow relativism, and relativist arguments destroy empiricism.

This is assuming, of course, that relativism is used in a non-self-destructive argument. Postmodernism gets into dangerous ground here. It goes something like this:

There are no absolutes.
Who are you to tell me I'm wrong?

A simple statement of "there are no absolutes" is actually defensible. The trouble is when the arguer qualifies that statement to assert that he himself, in absolute terms, is right (and that someone else, by suggesting he is incorrect, is in absolute terms wrong). Therefore such a statement is self-defeating because the person making the assertion doesn't really believe absolutes don't exist.

Science fundamentally accepts that there are no absolutes for the sake of inquiry. It doesn't mean that nothing can be proven in absolute terms or that absolutes cannot exist. It just means that science isn't overly concerned with arriving at definitive, absolute proof and the cessation of inquiry. We're pretty sure gravity exists?but that doesn't mean we might not discover something else that better explains our experience than our current conception of gravity and gravitation. Hard empiricism is NOT the view of contemporary science, and postmodern philosophy will completely dismantle hard empiricism every single time.

Personally, I think postmodern relativistic and deconstructive philosophies go WAAAAAY too far. As far as a literary, artistic, and musical movement goes, heck yeah!! ! I'm not ashamed to be labeled a PoMo. Fine with me.

As a Christian, my distaste for PoMo philosophy should probably be self-evident. What fascinates me is the influence of postmodernism in our religion with particular regard to the music. I mean, you have these gorgeous, traditional, antique-styled buildings rimmed with neon lights and rock bands with lasers, LED screens, and fog machines playing music that descended from Jesus Movement trends. It's visually breathtaking, relevant, AND worshipful. Conservative protestant worship conventions can't hold a candle to what these guys are doing nor the positive impact it has on younger congregations. And, I mean, I find nothing wrong with more contemporary church settings that paint the ceilings black and set up the platform like someone's living room. I'm just amazed at the creative freedom we have now that's unparalleled at any other point in history.

When it comes to art and music, even in the ivory tower art and music as well as in a religious context, it's an exciting time to be alive.

The only disappointment I ever had in my lifetime was that period between 1989 and 2000. The music that came out of that time period was abysmal. Right around 2003, it seemed to me we went back to 1985, picked up where we left off, and came back determined to finally get it RIGHT. And not only that, but the tech explosion?holy freakin' crap!! ! Something like Garageband puts experimental music studio tech in everyone's hands, something that was unheard of when I was in school. Now I'm building synthesizers in Reaktor, and with a little extra cash anybody can get Max/MSP. Where I went to school, we only dreamed about doing that kind of thing. We were lucky our prof let us mess around with ProTools.

And on the visual arts side?you can download Blender for free. It used to be you had to work at Disney/Pixar to have access to that type of capability.

It's great to have that kind of creative freedom. Modernist/Enlightenment attitudes didn't breed that kind of expression. The commercial world did, and it's the popular/commercial world that represents our current folk practices (pop music, even electronic music, IS today's folk tradition). What I love about postmodernism is the idea that art made to make a living is not selling out. You can do whatever you want, even acknowledge your audience, and not get a hard time about artistic integrity, and individual creativity is not specially reserved only for the elite.

And so what if I have a thing for conservative, evangelical Christian values in my musical work? WHO ARE YOU TO JUDGE ME???

Yeah?postmodernism is awesome!