I just came back from my second day of Cinemasia, and this time I saw three movies:
- Anak-anak Srikandi ('Children of Srikandi'), from Indonesia, is a documentary consisting of several short segments revolving around young lesbian girls in the city of Jakarta. Each girl has her own story to tell about coming to terms with their identity in a society that doesn't openly accept homosexuality- they face opposition from fundamentalist religious groups, as well as the risk of being rejected by their family once they come out. The segments are interwoven by the performance of two transsexual wayang-puppeteers, who deliver the story of the mythological figure Srikandi, who was born as a woman but reincarnates into a man.
- The second movie was The Frontline ('Gojijeon' in Korean), a South-Korean film directed by Jang Hun, and starring Shin Ha-kyun and Go Soo. It takes place in 1953, in the final days of the Korean War before the armistice between north and south. The border between North and South Korea has been all but defined; the final disputed area of interest is the Aerok Hill lying in the centre of the border. Lt. Kang Eun-pyo of the South Korean forces is sent to back up a regiment headed by his old friend and comrade Lt. Kim Soo-Hyeok, once a naive private, but now a battle-hardened veteran. Among the South Koreans are also Nam Sungsik, a 17-year-old rookie with a beautiful singing voice, Yang, a veteran from the war against the Japanese, and Captain Shin, an emotionless soldier who battles his physical pains by taking copious amounts of morphine. The North Koreans army's trump card is a deadly sniper known by the nickname 'Two Seconds'; whose steadyaim has taken many lives already from Kim's team.
Key to the story is the function of the Aerok hill as a short-term message capsule storage; as both the North and the South manage to control the hill for a short time before the other side takes over, each battallion leaves notes and gifts for the other side to be dug up after reconquering the hill.
I thought this was quite a powerful war movie. It displays the madness of wartime and the pointlessness of it quite adequately. At first I was afraid the supporting cast of characters wasn't engaging me enough, beside the two main characters of Lt.'s Kang and Kim, who were both played well, especially Go Soo as Kim Soo-Hyeok. Toward the end, I felt more and more involved with the fate of these soldiers.
-The third and final movie tonight was Lovely Man, another Indonesian film, directed by Teddy Soeriaatmadja, and starring Donny Damara and Raihaanun. It's a short story about Cahaya, a pious girl, who seeks out her father Ipuy in the center of the capital city Jakarta only to find that he's a transsexual street hooker. While Ipuy is initially not too pleased to see Cahaya, he is unable to shake her off, and decides to take her with him for a night in the streets of Jakarta, where they grow a bit closer to each other.
I thought this was a great film as well, good performance by both Raihaanun and Damara.
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clarity of thought before rashness of action