JakeDay wrote:
Lostathome - Some of the benefits to the world - GWAR Devo The Dead Milkmen, Gilbert Sheldon of the Furry Freak Brothers fame, Winston Smith the Dead Kennedy's visual artist, Timothy Leary, William Burroughs were a few card carrying members.
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This is what initially attracted me to Church of Subgenius back in the 80's. It did get talked up at length by Leary* (he had a zine of sorts, Mondo 2000 I think it was) and some of the other artists would mention it in interviews. So I thought it would be weirdly wonderful/wonderfully weird, just like the weirdly wonderful artists who liked it. I bought the book (came out in the mid-80's) but it wasn't wonderful and it wasn't nearly as weird as it seemed from a distance. What really turned me off the Church of the Subgenius was how forced the weirdness seemed. It just seemed like a bunch of "laugh at the straights" memes cobbled together with no actual art or even authenticity. Flying Spaghetti Monster is a similar satire of religion but manages to do it more gracefully.
Quote:
When I was really at the end of my tether, there have been times when the support group has kept me in the world. Their bizarre humour and kind encouragement has kept many desperate lonely misfits going, so I think that's of some benefit. Other churches alienated me or turned me away when I needed help.
The propaganda hassles its followers for money constantly, but many people in the Church are in a marginal economic bracket and we don't enforce collection like Scientologists or Catholics. I paid my $30 membership once only, and only because they deserved it - they gave me a good laugh when I seriously wanted to die. I've never been heavied for money ever, and they still talk to me. I even get an impression that they appreciate my social / intellectual contributions. They're good wacky fun. To me, anyway.
I suspect that the people who join Church of Subgenius are far more interesting and wonderfully weird/weirdly wonderful than the Church itself. It's value seems to be as a way for certain people to find each other. I was disappointed that people so interesting and creative could make something so dull and self conscious but then I was looking for art, not for community. As community they are clearly valuable.
*writing this post made me nostalgic for Mondo 2000 so I looked it up. Woops. It wasn't Leary's zine at all. I just remembered it that way because they wrote loving articles about him.