I like 80s chart pop of the kind that spun out bands that began as New Wave/New Romantic bands (Culture Club, Spandau Ballet, Duran Duran), because the instrumental compositions of these bands have this kind of bombastic feel to them... The use ofsynth, the use of drums, it's all very much in your face. And why do I like that? Am I not a mild-mannered, shy, introverted Aspie? Hahaha, of course, I am! But perhaps, through listening to songs like 'Gold' or 'The Reflex', I can imagine myself in the position of the singer, and be a bit more outgoing, extraverted. In the windowsill looking into the big bad world, ready to leap upon it and unleash myself. That is what the up-tempo songs of that genre express to me: energy, self-confidence, a positive expression of ones emotions in line with the old Romanticism of the 19th century. Breathe in that air, and breathe it out again, because you're alive. Grow a mullet and smear product all up in it, wear shoulder-padded, garishly-coloured, short-sleeved Don Johnson shirts on torn jeans.
I also listen to urban contemporary music a lot, but from the 1996-2003 era. Think early Usher, Ginuwine, Aaliyah, Destiny's Child. Why do I listen to that? Mainly because the vocals had adopted something of a more consistent, smooth singing style that was breaking away from the overuse of melisma in the 5 years prior to that (Boyz 2 Men, I'm looking at you). Sure, it wasn't the old days of Motown with Four Tops and Temptations, but it was doing its own thing. And it was experimenting. Ginuwine's Bachelor album may not be your cup of tea, but it was bringing on a whole new sound which Timbaland produced. LA Reid and Babyface were doing their own thing in the meantime. Destiny's Child was constantly playing around with their sound and vocal techniques, marking a complete break with previous girl groups like SWV and Brownstone. Honestly, in my opinion, back in those days, it was as if black popular music (emphasis on 'popular') was innovative again, after having grown stale in the eighties and leaving innovation to underground hiphop and contemporary jazz and blues.
So yeah that's why I listen to 80s pop and 90s RnB. I hope everyone will now understand it better next time I post another Kajagoogoo or Dru Hill song.
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clarity of thought before rashness of action